Basic Drum (¡Åͧàº×éͧµé¹)

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,000 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
Ê͹¡ÒõաÅͧàº×éͧµé¹ ¡ÒùѺ¨Ñ§ËÇÐ Time signature ¡ÒÃàÅ蹡Ѻ metronome áÅÐ Rudiment àº×éͧµé¹ à¾×èÍãËéà¡Ô´¤ÇÒÁ¤ÅèͧµÑÇ ¤ÇÒÁá¢ç§áç¢Í§¢éÍÁ×Í áÅÐÊÒÁÒöä»ÃèÇÁàÅ蹡Ѻà¾×è͹æã¹Ç§ä´é (ÊÒÁÒöãËé¤Óá¹Ð¹Óã¹á¹Ç´¹µÃÕàº×éͧµé¹àªè¹ Rock, Funk, Reggae etc.ä´é)

Jazz Drum (ËÅÑ¡ÊÙµÃá¨êÊ)

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,500 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
Ê͹¨Ñ§ËÇÐ Swing ÇÔ¸Õ¡Òà Trade 4 & 8 á¹Ð¹Óá¹Ç·Ò§¡Òà Comping áÅÐ play along ãËéà¢éҡѺà¾Å§ã¹ÅѡɳеèÒ§æ ¨Ñ§ËÇÐ Waltz 3/4 , Bossa nova, samba ä´é

Rock Guitar

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,000 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
Neo-Classic ,Progressive Rock, Guitar Hero, Fusion Rock à»ç¹ËÅÑ¡Êٵà ¾Ñ²¹Òà·¤¹Ô¤ã¹ÃдѺÊÙ§ ÊÓà¹Õ§¡ÒÃàÅè¹ (Vibrato & Dynamic) áÅÐá¹Ç·Ò§ãªé·ÄÉ¯Õ ( Characteristic Mode, Scale& Chord etc..) ä»ÊÙè¡Òà »¯ÔºÑµÔä´éÍÂèÒ§ÁÕ»ÃÐÊÔ·¸ÔÀÒ¾ áÅÐ ÈÖ¡ÉÒ¡ÒûÃѺsound (Rhythm& Solo) ¨Ò¡º·à¾Å§Ãçͤã¹Âؤ µèÒ§ æ (1950-»Ñ¨¨ØºÑ¹) ÊÒÁÒöàÅè¹à·¤¹Ô¤¡Ñºà¾Å§ ÃдѺ Masterpiece ä´é ÍÂèÒ§àªè¹ à¾Å§ Cliff of Dover , Morning Star, Highway Star, ÏÅÏ ¾ÃéÍÁ·Ñé§ÇÔà¤ÃÒÐËìÃٻẺ¡ÒÃàÅè¹áÅÐá¹Ç·Ò§ ¡ÒûÃо¹¸ìà¾Å§¨Ò¡ÈÔŻԹ (Master of Rock) àªè¹ Jimi Hendrix , Deep Purple , Eric Johnson, Vinnie Moore, Yngwie Malmsteen, Joe Satriani ÏÅÏ à¾×è͹ÓäÍà´Õ»ÃÐÂØ¡µìãªé 㹡Òà Improvisation ËÃ×Í㹧ҹà¾Å§

Blues Guitar

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,000 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
ÈÖ¡ÉÒ¤ÇÒÁà¢éÒã¨ã¹àÃ×èͧªÍ§ Feel & Dynamic ä»ÊÙè¾Ñ²¹Ò¡ÒÃàÅè¹ ã¹ÃٻẺ¢Í§µÑÇàͧ àÃÕ¹ ¾×é¹°Ò¹ Rhythm Solo µÑé§áµè Tradition Blues Chicago Blues Texas Blues-Rock 仨¹¶Ö§Modern Blues áÅÐ Groove µèÒ§æ àªè¹ Shuffle, Funky Even ÿ Eight, Slow 12/8, Rumba àÃÕ¹ ÇÔ¸Õãªé Characteristic ¢Í§ Scale Mode , Pentatonic ¡ÒÃãªé Inversion / Embellishment Chord 㹺·à¾Å§ºÙÅÊì ÈÖ¡ÉÒÊØéÁàÊÕ§ Blues Sound »ÃѺ Tone µèÒ§ æ ¨Ò¡ÈÔŻԹ (Blues Master) àªè¹ Robert Johnson, Muddy Water, BB King, Albert King, Buddy Guy, Jimi Hendrix, Eric Clapton, SRV ÏÅÏÿ. ¾ÃéÍÁº·ÇÔà¤ÃÒÐËì

Jazz Guitar

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,000 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
à¾×è;Ѳ¹ÒãËé¼ÙéàÃÕ¹ÊÒÁÒöà¢éÒ㨶֧¾×é¹°Ò¹¡ÒÃàÅè¹ ä»ÊÙè¡ÒÃãªéÀÒÉÒ Improvisation ã¹´¹µÃÕá¨êÊ ÈÖ¡ÉÒáÅÐÇÔà¤ÃÒÐËì (Jazz Theory) àÃÕ¹ÃÙé ¤ÇÒÁÊÑÁ¾Ñ¹¸ì Rhythm / Chords change / Melodic 㹺·à¾Å§ Standard áÅÐ Period µèÒ§ æ ã¹´¹µÃÕá¨êÊ (Metronome Technique) ½Ö¡ÇÔ¸Õ¡ÒùѺ Click áÅÐ ½Ö¡ Dynamic& accent ã¹ÃٻẺµèÒ§ æ àÃÕ¹ÇÔ¸Õ½Ö¡à·¤¹Ô¤ Arpeggio , Triad á¹Ç¤Ô´¡ÒùÓä»ãªé ÈÖ¡ÉÒÇÔ¸Õ¡ÒÃÊÃéÒ§ Melodic Line & Solo áÅСÒÃãªé Chord Tension áÅÐ Alterations , Substituted

Finger Style Guitar

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,500 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
à¾×è;Ѳ¹Òä»ÊÙè ÇÔ¸Õ½Ö¡¡ÒÃàÅè¹à´ÕèÂÇ·Ñé§à·¤¹Ô¤ áÅÐ Music ½Ö¡¡ÒäǺ¤ØÁàÊÕ§ Melodic Line & Rhythm 㹺·à¾Å§ãËéÁÕ¤ÇÒÁŧµÑÇ áÅеèÍà¹×èͧ ½Ö¡à·¤¹Ô¤µèÒ§ æ Boom chick Harmonic ¡Ñº Basic Rhythm ã¹áººµèÒ§ æ àÃÕ¹à¾Å§ áÅÐÇÔà¤ÃÒÐËì ¨Ò¡¹Ñ¡àÅè¹ Finger style ÃдѺ Master àªè¹ Chet Atkins, Tommy Emmanuel àÃÕ¹ÃÙéÇÔ¸Õ¡ÒÃàÃÕºàÃÕ§à¾Å§ (Arrange )ÃٻẺµèÒ§ æ ã¹áººÊäµÅì Í.ºØ­ªÍº

Classical Guitar

(ËÅÑ¡Êٵà 36 ªÁ. / 9-12 à´×͹) 2,000 ºÒ·/4 ¤ÃÑé§/à´×͹ àÃÕ¹µÑǵè͵ÑÇ
½Ö¡¡ÒÃàÅè¹à´ÕèÂÇ·Ñé§à·¤¹Ô¤ áÅÐ Music ½Ö¡¾×é¹°Ò¹¡ÒÃàÅ蹡յÒÃì Classical àÃÕ¹ Right Hand Position Tone / Technique Stroke áÅÐ Left Hand Position/ Technique (Pullÿof Hammer-on, Legato Slur ) Scale Practice àÃÕ¹à¾Å§ áÅÐÈÖ¡ÉÒ Classic Theory áÅÐ History àº×éͧµé¹